ICONOGRAPHY
[updated 20030128]
DETAIL OF CHRIST
ENTHRONED (TRIPTYCH)
This beautiful iconography is by John
Snogren,
Heavenly Visions
Byzantine Icon Studio,
whose handsome site offers essays on
icon technique, galleries of his
works, and much else;
used by permission.
THE TECHNIQUE OF ICON PAINTING
by Guillem Ramos-Pogui
This beautifully produced book, which cost me $19.00
from St. Nectarios Press,
contains more useful
information than a number of very large and
costly volumes that I have on my shelf.
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It should be kept in mind that online reproductions of icons may not adequately reflect the art and colors of the originals. |
A paperback highly recommended
by a correspondent:
Art and Eloquence in Byzantium
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"The best icons look at you; you find yourself not contemplating them but being contemplated by them, by steady eyes that plumb the soul." (Frederica Matthewes-Green in At the corner of East and now) |
A. Green’s Large List of Iconographers
P. Azkoul's
Traditional
Byzantine Iconography
Studio
Read his articles! The following sample icons of
Christ
"extreme
Humility" & Great
Aikaterina are
copyright by
Traditional Byzantine Iconography
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The iconography page; also HERE
V. Blagonadeshkin's icon website
Video lessons on
iconography
The
magnificent Novgorod Icon Gallery
Icon page of St. John the Baptist Cathedral
A VERY GOOD SITE (en français)
Ordering
icons online from NewIkon
Christian Orthodox Icons by Karavokiris
St. Seraphim Bookstore, Christ of
the Hills Monastery
in Texas
(large collection of icons in many styles)
Jackson's (auctioneers and appraisers of antique icons)
SacredIcons
George & Diana Voyajolu's award-winning site; the
following beautiful example is one of many icons
available from them (it is used by permission}
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Christian Orthodox Icons by Karavokiris
Sacred Art by Claire Brandenburg
Mount Sinai Icons
Dormition Skete (icons)
Hermitage of our Lady of Kursk (icons)
St. Isaac of Syria Skete
in Wisconsin (great catalogue of icons!)
Monastery icons
Light of Christ Monastery
SEE
HERE for the RATIONALE OF ICONS
AND ALSO HERE
AND HERE for PRAYING IN FRONT OF AN ICON
AND HERE to VIEW SOME ICONS
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Orthodox icons do not aim at being realistic (e.g. they lack perspective and shadow) but rather at conveying the theological meaning and Grace of the Mystery of whatever is portrayed. Miriam Lambouras has given a very enlightening example of the icon of the Birthday of Christ (The Shepherd, Dec. 1998). The ox and the ass in the icon refer to a prophecy of Isaiah ("The ox knows his owner; and the ass, his master's crib"), while the star shining on the all-holy Infant is "a deliberate sign from Heaven." The all-pure Virgin reclines on a mat-bed "to emphasize [the] truly human Birth" or is seated by a manger "to emphasize her miraculous 'birth without pains'" (Gen. 3:16) and the Divinity of the Infant. (Later icons, we are told, have the Theotokos kneeling before the Child, "but this is the result of Western influence.") The all-holy Virgin's face is often averted from the Child because in the swaddling clothes she has perceived the burial clothes of Christ and his Sepulchre. Angels are portrayed as messengers and worshiping Spirits. Shepherds and the Magi have their rôles. Two items reflect deuterocanonical writings: The midwives, having found the Theotokos still a virgin, witness to Christ's two natures. Satan appears in a shepherd's guise to St. Joseph (who is a guardian of the Mother of God rather than a participant in the Birth) in order to tempt him to doubt the celestial truth. And plants and rocks are included with the sheep to emphasize that the event is in time, though it has an "eternal and cosmic significance." If there had been disorder in nature so that matter had been only a shadow of heavenly reality, matter and time now become, through the Incarnation--and Resurrection--vehicles and channels of the divine Energies of Grace and the everlasting Life of our uncreated God and Savior--the Reason and Wisdom of God, Who created all that is and apart from Whom was made nothing that has been created (John 1:3). |
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